Measuring Colour
Module Code TFA1110MODULE TITLE
FOUNDATION STUDIO
BA/BSc MULTI-MEDIA DESIGN & VIRTUAL REALITY DESIGN – Year One
Tutors – Rob Lycett, Dave Goodall, Isil Onol
Measuring Colour
Introduction
Write an essay outlining your understanding of how colour theory can be useful to you as a graphic designer. You will need to research colour wheels, psychology, art history [painting]…….
Illustrate your essay with your own images [compositions] and correctly credited source materials. At the end of the essay provide a bibliography.
Post on your blog and print a hard copy [A4 bound] for submission in week 11.
Assessment criteria
(a) Concept Development
Successful exploration of a problem or theme is demonstrated through the development and documentation of appropriate creative concepts and alternatives (Learning Outcomes A-F)
(b) Aesthetics and Language
Creative decisions are made in response to thematic projects and are based on appropriate aesthetic criteria. The ability to discuss these in relation to the work produced and other diverse sources is demonstrated (Learning Outcomes A-F)
(d) Integration and Synthesis
Demonstrate awareness of the need to reconcile conceptual/critical issues with the contexts of production and use (Learning Outcomes A-F)
Research
Before starting this essay, I did have some knowledge as to what colour theory was. This was due to my background from using imaging applications and the like. In the past my images were made from what colours I thought looked and worked well together and people would usually say I had ‘an eye for colour’. I usually used different shades of one colour with other colours that worked together in harmony without one colour ‘drowning’ the other out, however, on initial research at the beginning of this project, I was amazed as to how much there is to know about colour theory. Many studies have been done on this with vast amounts of pages on different section of colour theory. Colour theory could also be confused with colour psychology, which is actually quite different.
Colour Theory
"Colour Theory is a set of principles used to create harmonious colour combinations. Colour relationships can be visually represented with a colour wheel — the colour spectrum wrapped onto a circle.
The colour wheel is a visual representation of colour theory:
According to colour theory, harmonious colour combinations use any two colours opposite each other on the colour wheel, any three colours equally spaced around the colour wheel forming a triangle, or any four colours forming a rectangle (actually, two pairs of colours opposite each other). The harmonious colour combinations are called colour schemes – sometimes the term 'colour harmonies' is also used. Colour schemes remain harmonious regardless of the rotation angle.
Classic colour schemes supported by Colour Wheel Pro:
Monochromatic Colour Scheme
The monochromatic colour scheme uses variations in lightness and saturation of a single colour. This scheme looks clean and elegant. Monochromatic colours go well together, producing a soothing effect. The monochromatic scheme is very easy on the eyes, especially with blue or green hues.
Analogous Colour Scheme
The analogous colour scheme uses colours that are adjacent to each other on the colour wheel. One colour is used as a dominant colour while others are used to enrich the scheme. The analogous scheme is similar to the monochromatic, but offers more nuances.
Complementary Colour Scheme
The complementary colour scheme consists of two colours that are opposite each other on the colour wheel. This scheme looks best when you place a warm colour against a cool colour, for example, red versus green-blue. This scheme is intrinsically high-contrast.
Split Complementary Colour Scheme
The split complementary scheme is a variation of the standard complementary scheme. It uses a colour and the two colours adjacent to its complementary. This provides high contrast without the strong tension of the complementary scheme.
Triadic Colour Scheme
The triadic colour scheme uses three colours equally spaced around the colour wheel. This scheme is popular among artists because it offers strong visual contrast while retaining harmony and colour richness. The triadic scheme is not as contrasting as the complementary scheme, but it looks more balanced and harmonious.
Tetradic (Double Complementary) Colour Scheme
The tetradic (double complementary) scheme is the most varied because it uses two complementary colour pairs. This scheme is hard to harmonize; if all four hues are used in equal amounts, the scheme may look unbalanced, so you should choose a colour to be dominant or subdue the colours.”
Src : www.color-wheel-pro.com
Colour Psychology
“What is Colour - The Physics and The Biology
In the physical world, there are no colours; there are only light waves of different wavelengths. When our eyes look at an object, we see light reflected from the object. The normal human eyes have the ability to distinguish among hundreds of such bands of wavelengths as they are received by the sensory cells (cones) of the retina. This ability makes it possible for us to perceive the world in colour.
Naming a Colour - The Psychology
But what do we mean when we say the sky is "blue" and the roses are "red"? While our eyes are able to distinguish among hundreds of wavelengths, our lexicon is far more limited. A colour name refers to our perception of the prototype of a range of wavelengths. For example, while the word "red" refers to colours that have more red attributes than orange attributes, and the word "orange" refers to colours that have more orange attributes than red attributes, there really is no clear-cut distinction. Psychological perception of colour is a subjective experience. Therefore, the wavelengths referred to by two people using the same colour name almost always differ. On the other hand, however, due to the biological bases of our colour vision, there is a high degree of universality in the use of colour terms across cultures and languages.
Physiological Effects of Colour
Vision is not the only form of physiological reaction humans have to wavelengths. Preliminary scientific studies show that red radiation is more likely to produce epileptic seizures than blue light. Furthermore, when blood pressure, respiration, heart rate, and eye blink frequency are measured, the colour red resulted in the highest frequency, white lower, blue lowest. But does colour have effect on our emotions and behaviour? The answer is yes. But in terms of what kind of effect and how it effects, findings are inconclusive. Our reactions to colours are led by a combination of biological, physiological, psychological, social and cultural factors.
Certain colour effects seem more universal, such as that of "warm" and "cool" colours. Warm colours generally include magenta, red, orange, yellow, and yellow-green. They speed up our perception of time and produce feelings that are warm, cosy, and inviting. These colours are associated with excitement, happiness and comfort. Cool Colours generally include violet, blue, light blue, cyan and sea green. Emotions associated with these colours range from calm and peace to sadness, withdrawal and repression.
Colours often have different symbolic meanings in different cultures. For example, white is the colour for weddings in western societies but for funerals in traditional Chinese culture; red is associated with rage in America but with happiness in China. In American fashion and decoration, blue is for boys while pink is for girls, which is a symbolic use of colour that are not shared by many cultures.
The Use of Colour - Applied Psychology
In fashion, advertising, and presentations, colour is one of the most effective tools. Psychologists have suggested that colour impression can account for 60% of the acceptance or rejection of that product or service.”
Src : http://psychology.about.com/library/weekly/aa031501a.htm
Implementation
So, the basics of colour psychology and theory have been outlined above, but how could a graphic designer utilise these facts for real? Well depending on what type of design and what target audience you are creating an image for you would utilise different facts, although you should still aim to use what you think looks right, ‘the eye for colour’. For example, say I was to create a flyer for a lively, upbeat night club. I would start using a bright, vivid colour. So, to relate that to the colour psychology, it should, in theory create a warm comforting response. That would be the basis of the image. As I progressed through making the image I would concentrate on using the triadic colour scheme as it continues the theme of a strong colour scheme, but of one that is not too contrasting but more harmonious.
In relation to my compositions
When creating my compositions, I took the three primary colours as a basis for three of the images and then green as the final colour. Throughout each image I decided that I would use a monochromatic colour scheme, as I thought that each image when on its own would look harmonious, yet when placed alongside the other three would still stand out in its own right.
When creating the images I also came along another concept from a quote that I used in one of the images as some basic typography. This was the concept of linking colours and emotions to definitions of words. For example: Devil; passion, aura, lust, hectic, love affair.
Conclusion
My conclusion is relatively simple. If you are starting to work with images professionally, or even if you are simply striving for self perfection, take into account the basics of colour theory and colour psychology until you have learnt and understood them, but always go with what you think looks decent. This will come to you more and more throughout the many images you will create, as with anything, practice makes perfect.
Bibliography
Sites that I have used in this project;
http://www.color-wheel-pro.com
http://psychology.about.com/library/weekly/aa031501a.htm
http://www.color-wheel-pro.com/color-meaning.html
http://www.webwhirlers.com
http://www.worqx.com




